Although the XYZ project predates my current research-creation work by about ten years, it remains a foundational step. It represents the first attempt to merge two dimensions I continue exploring: generative writing and generative graphic design. This project thus marks a pivotal moment where textual content and layout — both produced by scripts — converge within a single creative process.
In XYZ, this dual generativity is expressed in a complementary way: on one hand, personal ads are generated automatically; on the other hand, their layout also results from algorithmic processes. The generative logic is therefore applied to both content and form.
With hindsight, a contextual question emerges — one I had not yet considered at the time, but which now seems essential:
These questions invite us to consider multiple lineages: should we look back to pre-digital avant-gardes — such as Oulipo, concrete poetry, or other forms of combinatory writing? Or should we instead explore contemporary practices made possible or amplified by digital technologies?